Sunday, August 2, 2009

In an Art Slump, Graffiti is Free


When times are tough, you don't spend when you don't have to. There's sufficient graffiti in London to keep art collectors entertained, which is causing them to shy away from works by Banksy. Larger auction houses have cut down on the Banksy works they are carrying, and some of the regional auction houses are canceling their urban art specialist sales.

It's hard to tell if Banksy is disappointed. The artist, who was born in Bristol (west England) keeps his (her?) identity a secret. So, if you see some weirdo crying in a corner over the next few weeks at a pub in Bristol (or, maybe, London), ask if it's Banksy. It could be cooler than finding Waldo.

Prices for pieces by Banksy have plunged this year, with failure rates on the rise. Auction houses are now sufficiently nervous to hedge their bets, carrying little (or no) inventory by the artist and canceling auctions that may not deliver.

In general, contemporary art auction selling points are down 30 percent to 50 percent – about as much as your 401(k). The top houses – Christie's, Sotheby's, Bonhams and Phillips de Pury – didn't carrying any of Banksy's work in their June or early July auctions. This year, 76 Banksy paintings and prints have come under the gavel, with 30 of them (almost half) not selling. The highest price reached was $230,500 at a New York Sotheby's event. Last year, the top price for a Banksy piece was $1.9 million at Sotheby's RED charity auction in February.

New Antiquarians of Our Generation



"It was probably inevitable. Consider the example of new-vintage merchants like J. Crew Liquor, the men’s wear store housed in an old TriBeCa bar. Or Freemans Sporting Club, the “gentleman’s” clothing store created by Taavo Somer, the architect and restaurateur responsible for Freemans, the taxidermy-bedecked hot spot on the Lower East Side. The recently opened bar at the Jane hotel, created by Eric Goode and Sean MacPherson, is a mash-up of an English country estate, the set of “The Royal Tenenbaums” and an interior landscape imagined by Joris-Karl Huysmans, the author of “Against Nature,” the 19th-century decadent’s manifesto.

Valerie Steele, the director of the Museum of the Fashion Institute of Technology, offered a different explanation. “It’s way more than anti-modernism, this sort of deep spelunking into the past,” she said. “It’s not aspirational and it’s not nostalgic. It’s a fantasy world that is almost entirely a visual collage. It’s a stitched-together, bricolage world, an alternative world.”

“Authenticity is such a fed-up idea,” she continued. “But collecting these old things, it’s like there is an aura attached to them. It’s not some prepackaged product being foisted on you by a big corporation. Too bad it’s going to be commodified. Everything in the fashion world gets hoovered up.”

Marketers, in fact, are already paying attention. Steven Grasse, chief executive of the advertising and branding agency Quaker City Mercantile in Philadelphia, said he recently sent a sample of a new product, a vintage-styled liquor called Root, to a few retro-loving bloggers like Hollister Hovey. " - PENELOPE GREEN

Get yourself some vintage finds:

http://www.urbanoutfitters.com/urban/index.jsp
http://www.etsy.com/category/vintage